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Terministic screens : ウィキペディア英語版
Terministic screens

Terministic screens, a term in the theory and criticism of rhetoric, involves the acknowledgment of a language system that determines an individual's perception and symbolic action in the world. Kenneth Burke develops the terministic screen in his book of essays called ''Language As Symbolic Action'' in 1966. He defines the concept as "a screen composed of terms through which humans perceive the world, and that direct attention away from some interpretations and toward others".〔Stob, Paul. " 'Terministic Screens', Social Constructionism, and the Language of Experience: Kenneth Burke's Utilization of William James". Philosophy and Rhetoric 42, no. 2 (May 1, 2008): 131.〕 Burke offers the metaphor to explain why people interpret messages differently, based on the construction of symbols, meanings, and, therefore, reality.〔Burke, Kenneth. "Terminisitic Screens". In Language as Symbolic Action, 45. Cambridge, UK: Cambridge University Press, 1966.〕 Words convey a particular meaning, conjuring images and ideas that induce support toward beliefs or opinions. Receivers interpret the intended message through a metaphorical screen of their own vocabulary and perspective to the world.〔Blakesley, David, ed. The Terministic Screen: Rhetorical Perspectives on Film. Carbondale, IL: Southern Illinois University Press, 2003.〕 Certain terms may grab attention and lead to a particular conclusion.〔Palczewski, Catherine Helen, Richard Ice, and John Fritch. "Terministic Screen." In Rhetoric in Civic Life, 39. State College, PA: Strata Publishing, 2012.〕 "Language reflects, selects, and deflects as a way of shaping the symbol systems that allow us to cope with the world". Every word chosen says something about the society we live in. The language we choose to use will be a representation of our reality, our world, our culture, and our beliefs, even without intention.
== Scientistic versus dramatistic ==
Burke describes two different types of terministic screens: scientistic and dramatistic. Scientistic begins with a definition of a term; it describes the term as what it is or what it is not, putting the term in black and white. When defining, the essential function is either attitudinal or hortatory. In other words the focus is on expressions or commands. When terms are treated as hortatory, they are developed. Burke comments on why he uses developed rather than another word. "I say 'developed'; I do not say 'originating'. The ultimate origins of language seem to me as mysterious as the origins of the universe itself. One must view it, I fee simply as the 'given' ". The dramatistic approach concerns action: thou shalt or thou shalt not. This screen directs the audience toward action based on interpretation of a term. Via terministic screens, the audience will be able to associate with the term or dissociate from it.

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